We went out to dinner Saturday evening, and I got seated across from my maternal grandparents. Now, I love them to death; my grandpa was one of the first people to encourage my writing. He used to ask to see what I'd written between times we'd seen each other, and then read it aloud (I would ask him not to do, and then hide under the table in embarrassment when he did it anyway). Since my writing has kicked up a bit, and our visits aren't as frequent as they used to be, he's stopped asking to see it, and started asking about it. So, on Saturday, I decided to tell him--and, by extension, my grandma--about my Minecraft project.
I started by explaining Minecraft. Now, my grandparents aren't the most tech-savvy of people (and the Understatement of the Year Award goes to...), so I told them that it's basically a videogame version of LEGOs for adults. Once they knew what I could do with the game, I started telling them my plans; use Creative Mode, create a small community surrounded by a huge wall, create a huge world outside the wall, make a dissatisfied character, tell the story of how (s)he finds a way past the wall.
The idea is really to use Minecraft as the medium with which to tell my story, instead of words or pictures or words and pictures, to film it, and to post it on YouTube. When I told my grandparents this, my grandpa's first question was, "Will people pay to see it?"
I didn't really know how to respond. I mean, everything else aside, I'm pretty sure that that would be illegal. I may own a copy of the game, but Minecraft itself isn't mine; I'd have to get permission and pay royalties and all sorts of other ridiculous bullshit that I can't even pretend to understand.
But let's look at the aforementioned everything else that I put aside. I've been working on this project since January, and not once did I even consider the idea of charging for this. Yeah, if everything works out and the gods of fortune smile on me, I want to be a successful author when I graduate college. Much as I may joke about becoming rich and famous, though, that's never what it's been about for me. Writing, and every other type of art I do, has always been about the art itself. When I say that I want to be successful, that it would be lovely to be as beloved and as widely read as, say, J.K. Rowling or J.R.R. Tolkien, for instance, it wouldn't be lovely because of the money; I want to know that something that I have done, something that I have created, has touched people. I want to know that I have helped someone the way Brian Jacques helped me. I want to receive letters like ones that I myself have written, telling me that the stories I have told have given someone enough light to make it through the darkest times of their life. All in all, though, I just want to make art for art's sake.
Maybe I'm spoiled in that I'm surrounded, on the Internet, by people who see art as I do; not as a means to an end, but as the end in and of itself. Maybe it's that, being so surrounded by people with a passion for what they do, I've forgotten that there are people out there who simply don't care, who do their job because it's a job and it brings in money.
Or maybe it's because my grandfather isn't an artist, and so he doesn't really know how it works. He doesn't understand the blood and sweat and tears and heart-wrenching agony that go into creating art of any sort. He doesn't understand the passion necessary to keep at it, even when you're only getting quarters thrown at you for standing on a corner, reading your work. He's never felt the pounding of a story longing to be free, no matter what it takes, even if no one wants it. He's heard of these J.K.s Rowling and Stephanies Meyer
Maybe, if I could organize my thoughts while speaking, and not just when I'm at a keyboard, brain-vomiting onto the screen, I could have explained it to him. Maybe, if I weren't so afraid of offending him, I'd have been able to explain the concept of art for art's sake. Maybe, if I weren't so damned shy, I'd have quoted Amanda Palmer at him: "Stop pretending. Art is hard."
